I’ll be the first to say that romantic relationships in literature nowadays have a severe problem.
Worse, the vast majority of writers appear to be oblivious to the problem – until it’s too late.
The issue is that romantic relationships are portrayed in an unrealistic and unhealthy light.
There. I said it. People are starting to notice that, sure, there is a major lack of reality in romantic relationships in literature. Book Writing Services
Authors create relationships that are meant to be exciting and intense, but their portrayals of those couples can be faulty in unintentionally destructive ways.
There is nothing wrong with romance writing. In fact, including a romantic relationship in your novel can aid in the creation of a compelling plot. The love dynamic can:
- Raise the stakes
- Increase the emotional investment of readers in the characters.
- Create contrast in feelings to contribute to the sought “emotional roller coaster.”
- Give your audience another cause to root for your protagonist.
Pitfalls to watch out for when writing romance
All of these powerful features can improve your work significantly, but only if you can establish a relationship with your readers that isn’t difficult.
As a result, you’ll want to avoid these romantic relationship faults that many writers don’t even aware they’re committing in their works.
When writing romance, there are a few pitfalls to avoid.
1. Glamorizing abuse
This may be the most important and underappreciated aspect of books. Many authors, particularly in the young adult genre, are crafting abusive relationships and passing them off as love, while this can be seen in other sorts of books.
If you’re not familiar with the term, it refers to when writers depict abuse as love.
They describe a person who is highly jealous and verbally abusive to their spouse, and the main character justifies it by claiming that the other person “simply can’t live with the thought of losing” them. As a result, the main character is shown as viewing the maltreatment as genuine love.
Anyone who reads it will be harmed by this romanticization of abuse. When it comes to learning about romance, young people may turn to novels. If they haven’t had a healthy relationship to learn from in real life, they may believe that the relationships in novels are how it should be.
As a result, they accept abuse and dismiss it as the other person “caring too much about them,” as they’ve seen in their favourite literature.
Make sure your relationships are written consensually to avoid making blunders like this. Consider how you would feel and act in the situation you’ve created for your characters.
A common rule is that if you would be outraged if someone treated you that way in real life, it’s not right.
2. Instant romances
Consider the romantic connections you’ve had or witnessed around you. How often do you hear two people across a restaurant meeting eyes and falling madly and instantly in love with each other?
This does not happen very often. Because it’s unrealistic, and love doesn’t work that way.
For those who aren’t familiar with the term, it’s exactly what it sounds like. An immediate romance occurs when two people meet and fall in “love” and commit to each other right away. Or in a very, very short period of time, which isn’t even close to being accurate.
Many novelists, however, write romances in this manner in order to create an intense moment, but it sends a very detrimental message to young readers and takes away from the story.
You don’t have to make your characters “in love” straight away to develop suspense.
Relationships take time to develop. Before you can embark on a romantic adventure, you must first get to know one another, establish chemistry, and enable that spark to ignite.
Why should the characters in your books be any different?
You must give the connection enough time to grow and expand if you want it to be believable and keep your readers totally engrossed in it.
3. Making a single person passive in the relationship
Relationships aren’t about one person gaining complete power over the other and making all of the decisions.
Both people should be equally involved in the partnership’s ongoings. Because it is just that — a collaboration.
As a result, it’s a little troubling when authors create a single character that just goes with the flow and doesn’t give a damn about anything. This individual doesn’t take the initiative or make decisions for the relationship’s sake, and when things go tough, they sit back and let the other person handle everything.
This is both implausible and dull. It doesn’t add anything to the relationship’s dynamic, and readers aren’t likely to cheer them on.
Make sure your story is about a loving relationship between two people, not a passive robot.
4. Writing relationships without commonalities
When two people are dating, they should have something in common. They don’t have to like the same foods, movies, books, or activities, but they should share core values.
If you have two morally opposed characters that don’t share the same ideals, your readers will wonder why they’re together in the first place.
And if you can’t really explain why they’re together other than for narrative considerations, you’ll have to make some adjustments. Characters can’t merely be involved in a plot for the sake of conflict.
If your narrative requires those two people to be in a relationship, you must devote just as much time and effort to their relationship dynamics as you do to the plot as a whole.
Otherwise, the plot of the tale will be irrelevant since readers would be uninterested in the relationship.
5. Never allowing for vulnerability
Some vulnerability is required for your characters to bond on a deep enough level for love to be in the air. They need to be more open with one another and share emotions other than lust and longing.
How else are they going to be able to get closer? Allowing for moments of vulnerability shows their weaknesses. This will not only help you create a stronger emotional connection between your characters, but it will also help your readers connect with them.
Here are a few methods to make yourself vulnerable:
- Have one character get injured
- Create conflict involving something one is particularly sensitive about
- Make a character break down from the stress of your plot
- Have them share secrets
Characters that are powerful and tough require times of vulnerability and weakness. Not only will this strengthen the bond, but it will also make your readers enjoy the character more because they will be able to relate to it. One stone, two birds. visit our website for further details ” Book Writing Company “